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by author Michelle Hancock
Reading the labels at a liquor store may not give you the full picture of what goes into (or what doesn’t go into) producing a particular wine. Modern winemaking techniques can depend heavily on chemical agriculture. Up to 17 applications of herbicides, fungicides and pesticides can be added to vines during the growing cycle, depending on factors such as location and climate. (These synthetic chemicals not only strip the soil, destroy ecosystems, pollute the environment and contaminate waterways, but they can also be ingested as residues, accumulating in the body over time to cause numerous neurological problems, poor organ function and even cancer.) In conventional winemaking, after the grapes are picked and bottling begins, one or more additives–up to 20 of them–may be utilized to improve taste, colour and clarity. Organic wine, on the other hand, is harvested and bottled using the most natural methods and ingredients possible. At its simplest, organic wine is defined as "wine made from organically grown grapes." Grape species are usually chosen for better disease resistance and character, rather than maximum yield. Using pesticides or herbicides is a big no-no; the only allowable fertilizers are mature plant manures, which are sometimes combined with vine prunings. Artificial yeasts are avoided during the fermentation process in favour of wild yeasts that form naturally on the grapes. While all wines depend on sulphur dioxide for stability, organic wines contain far less. Some producers with an eco-conscience, such as Jean-Pierre Margin of Chateau La Canorgue in France’s Côtes de Luberon, have gone organic to follow in the footsteps of their ancestors, who created superb wines by combining traditional techniques and the skills of their cellar masters. "Confronting nature directly means you have to be vigilant,"said Margin in a recent interview with wine critic Gerald Asher. "You must look ahead–mistakes are difficult to correct organically. You become more efficient because you have to stay on top of every detail of every vine–and perhaps that’s why the wine is better." Many international wine houses have adopted organic wine philosophies. To name a few: Chateau Margaux in Medoc, France; Domaine Leroy in Burgundy; Robert Sinskey Vineyard and Frog’s Leap Winery in Napa Valley, Calif.; Cooper Mountain Vineyards in Oregon; the Bonterra label for Fetzer Vineyards in Mendocino County, Calif.; Lolonis of Redwood Valley in Mendocino County; and certain Penfolds bottlings from South Australia’s Claire Valley. Canada also boasts a decent number of organic wine producers, including Summerhill Estate Winery and Bella Vista Farm Winery. More than half of the wines produced by Hainle Vineyard Estate Winery in the sunny Okanagan Valley are not only organic–they’re certified organic. Why? "We wanted to live on a piece of land where harmful chemicals were not used or accumulating. We wanted to minimize the environmental footprint of our agricultural and business activity. And we wanted to make good wines that were as pure as possible, without elaborate (and expensive) chemical or mechanical intervention," the Hainle Estate explains. In the end, it’s somewhat ironic that old-fashioned winemaking techniques are falling into favour again as the trend towards "natural," "healthy" and "sustainable" has consumers taking a second look at their shopping habits. Although organic wines represent only a small percentage of total wine sales, there is also a growing awareness amongst producers and retailers. Last August, the International Federation of Organic Agricultural Movements co-sponsored the two-day Seventh International Congress on Organic Viticulture and Wine in Victoria, BC, which was an opportunity to exchange views on consumer expectations, market opportunities and the global outlook for the organic wine sector.
Michelle Hancock is a freelance writer and editor with a master’s degree in journalism. She has been known to indulge in a glass or two of wine upon occasion--organic wine, of course. Source: alive #242, December 2002 |
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